Re-Making The Mark
July 5th –– October 28th
Desai | Matta Gallery, First Floor
California Institute of Integral Studies
1453 Mission Street (at 11th Street)
San Francisco, CA 94103

Bridging Division: Empathy and Humanity, Curated by Ashley Kauschinger of Light Leaked
Featuring works by Priya Kambli, Rania Matar, Zora J Murff, Melissa Kreider, and Lissa Rivera
June 7 –– August 3, 2018
Opening Reception: Thursday, June 7, 6:30pm-8:30pm
The Light Factory
Charlotte, NC 28205



LOST, Omaha is featured on FotoRoom

An image from Fade Like A Sigh included in TAGTAGTAG's 5x5: "Family Disrupted" by Jon Feinstein. 

Joins the University of Arkansas School of Art as a Visiting Assistant Professor of Photography.

Invited to jury Omaha Creative Institute's artist grants. 

Images in The New Yorker as a part of a story about wrongfully convicted individuals recently exonerated in Chicago, IL.

An image from Re-Making The Mark selected as the cover of the June issue of The Sun Magazine

Invited to take part in a panel discussion on institutionalized racism at The Union for Contemporary Art with photographer Kris Graves and playwright Denise Chapman.

MFA Thesis Exhibition Re-Making The Mark at the University of Nebraska–Lincoln

Published a short essay in Epistem Magazine by the Prindle Institute for Ethics at DePauw University. 

Works from Fade Like A Sigh exhibited at Klompching Gallery for the 2017 LensCulture Emerging Talent Awards

A review of Aperture's Prison Nation published by The Nation

Exhibited images from Corrections in the exhibition Prison Nation at Aperture Foundation alongside artists Deborah Luster, Steven Tourlentes, and Nigel Poor.

Delivered a lecture at the National SPE Conference in Philadelphia, PA. 

Spoke with a group of photography students about sustaining long-term projects at the Borough of Manhattan Community College with collaborator Rana Young.

Awarded a 2018 SPE Award for Innovations in Imaging. 

A selection of images from Corrections published in Aperture Issue No. 230, Prison Nation

Second monograph, LOST, Omaha, published by Kris Graves Projects

Named a winner of the Unheard Voices category of the Jacob Johnson Memorial Grants

Collaborated with Rana Young on a series of images for 'Some Days Just Are' curated by Tara Wray for the Huffington Post.

Curated HATCH, an online group exhibition by Photo-Emphasis



Corrections shortlisted for the first annual Lucie Photo Book Prize

Fade Like A Sigh featured on Hyperallergic

Images from Fade Like A Sigh published in Aint-Bad Magazine's Issue No. 12: Curator's Choice. 

Images published in the October issue of Harper's Magazine

Participated in a panel discussion with the New York Times at Photoville

Interviewed by Pete Brook for Huck Magazine in an article about photographers looking at the criminal justice system.

Interviewed by Stuart Chittenden on LIVES Radio Show.

Fade Like A Sigh featured on The British Journal of Photography