In this body of mine, Curated by Strange Fire Collective
October 18—December 7 2019
Milwaukee Institute of Art & Design
Milwaukee, WI

Undercurrents: A Photobook Exhibition
October 25—January 19 2020
Transformer Station
Cleveland, OH

Prison Nation, Curated by Aperture Foundation
March 23—May 17 2020
University of Maryland
Baltimore, MD



At No Point In Between wins Independent category of the Lucie Foundation Photo Book Prize.

At No Point In Between exhibited in the Radical Reading Room at the Studio Museum 127 project space.

Interviewed by Neelika Jayawardane for Aperture: What Can Photographs Tell Us About the History of Redlining in the US?

Work from At No Point in Between featured on The New York Times Magazine.

Included in Aperture’s PhotoWork: Forty Photographers on Process and Practice.

Interviewed by Kris Graves for the Houston Center for Photography.

Images featured in The Atlantic as part of a story on The Mississippi Delta’s History of Black Land Theft.

The Criminal Type, curated by Elizabeth Breiner, exhibited at apexart.

Appointed to the position of Assistant Professor at the University of Arkansas School of Art.

Worked featured in a New York Times Magazine and ProPublica collaboration: Digital Jail: How Electronic Monitoring Drives Defendants Into Debt.

Works from At No Point In Between selected for the Labs New Artists III exhibition at Red Hook Labs.

Works from Fade Like A Sigh featured on Aint-Bad.

Selected as one of Magenta Foundation’s Flash Forward 2019 Top 100

Awarded the Beth Block Juried Membership Honoraria as a part of the 2019 Center Annual Exhibition at the Houston Center for Photography.

Solo exhibition of At No Point In Between at The Mast.

Named a finalist for the 2019 Aperture Portfolio Prize.

Works from At No Point In Between published in Issue One of There, There Quarterly, alongside Cian Oba-Smith and Terrance Purdy.

Solo exhibition of At No Point In Between exhibited at The University of the Arts.

Corrections exhibited at Coastal Carolina University.

Prison Nation, curated by Aperture Foundation, exhibited at the Southeast Museum of Photography.

Led a collaborative book making workshop with students at the Missouri State University Art and Design Department.

Invited to give a panel discussion about collaboration with artists Rana Young, David Johnson, and Philip Morris at the National Society for Education Conference.

Interviewed by Lodoe-Laura Haines-Wangda for LensCulture.

Selected for PDN 30, including work shot for Topic Magazine, The New York Times, and The New Yorker.

One of 160 artists selected to attend the 7th annual New York Portfolio Review sponsored by the New York Times Lens column, Craig Newmark Graduate School of Journalism at CUNY, and United Photo Industries.

Works from Fade Like A Sigh featured in Issue 119 of Fraction Magazine.

Works from At No Point In Between included in Gravity of Perception, a group exhibition at the Center for Visual Art. Exhibiting artists include: Tya Anthony, Marcella Ernest, Kris Graves, Xaviera Simmons, Lorenzo Triburgo, and Krista Wortendyke.

Fade Like a Sigh exhibited at the University of Georgia.


Prison Nation, curated by Aperture Foundation, exhibited at the Cleveland Public Library.

Spent five days on the road with Jon Horvath for his The Exquisite Course road residency.

The LOST Series, published by Kris Graves Projects, included on Humble Arts Foundation’s 32 Photobooks That Dropped Our Jaws in 2018.

Delivered a lecture at Emporia State University for their Art Forum Visiting Artist Lecture Series.

Featured on as a part of their series Federal Project No. 2.

Invited to speak at Point Park University as a part of their Artist Lecture Series.

Invited to speak at Silver Eye Center for Photography with Terence Washington.

Invited to speak at Syracuse University as a part of the Transmedia Colloquium Series.

Participated in a panel discussion at the California Institute of Integral Studies with Denise Boston and Rodney Brazier.

Selected as one of the twelve artists for the 2019 Light Work Artists-in-Residence Program.

At No Point In Between published on Aint-Bad.

Work from At No Point In Between selected for Aint-Bad Issue No. 13

Shortlisted for the 2018 Lucie Foundation Emerging Artist Scholarship.

Works from Fade Like A Sigh shown as a part of The Best of LensCulture Vol 2. at Cour de l’Archevêché, The Voies Off Festival, Arles, France. 

Invited to jury the Lit List, a competition recognizing and awarding the outstanding work of photographers who are womxn, femmes, trans, non-binary people of color, or otherwise underrepresented artists.

Wins first place Lenscratch Student Prize.

Work included in The Ones We Love's first online exhibitionPortraits.

LOST, Omaha is featured on FotoRoom.

An image from Fade Like A Sigh included in TAGTAGTAG's 5x5: "Family Disrupted" by Jon Feinstein. 

Joins the University of Arkansas School of Art as a Visiting Assistant Professor of Photography.

Invited to jury Omaha Creative Institute's artist grants. 

Images in The New Yorker as a part of a story about wrongfully convicted individuals recently exonerated in Chicago, IL.

An image from Re-Making The Mark selected as the cover of the June issue of The Sun Magazine

Invited to take part in a panel discussion on institutionalized racism at The Union for Contemporary Art with photographer Kris Graves and playwright Denise Chapman.

MFA Thesis Exhibition Re-Making The Mark at the University of Nebraska–Lincoln

Published a short essay in Epistem Magazine by the Prindle Institute for Ethics at DePauw University. 

A review of Aperture’s Prison Nation exhibition in the Village Voice.

Works from Fade Like A Sigh exhibited at Klompching Gallery for the 2017 LensCulture Emerging Talent Awards

A review of Aperture's Prison Nation published by The Nation

Exhibited images from Corrections in the exhibition Prison Nation at Aperture Foundation alongside artists Deborah Luster, Steven Tourlentes, and Nigel Poor.

Delivered a lecture at the National SPE Conference in Philadelphia, PA. 

Spoke with a group of photography students about sustaining long-term projects at the Borough of Manhattan Community College with collaborator Rana Young.

Awarded a 2018 SPE Award for Innovations in Imaging. 

A selection of images from Corrections published in Aperture Issue No. 230, Prison Nation

Second monograph, LOST, Omaha, published by Kris Graves Projects

Named a winner of the Unheard Voices category of the Jacob Johnson Memorial Grants

Collaborated with Rana Young on a series of images for 'Some Days Just Are' curated by Tara Wray for the Huffington Post.

Curated HATCH, an online group exhibition by Photo-Emphasis


Corrections shortlisted for the first annual Lucie Photo Book Prize

Fade Like A Sigh featured on Hyperallergic

Images from Fade Like A Sigh published in Aint-Bad Magazine's Issue No. 12: Curator's Choice. 

Images published in the October issue of Harper's Magazine

Participated in a panel discussion with the New York Times at Photoville

Interviewed by Pete Brook for Huck Magazine in an article about photographers looking at the criminal justice system.

Interviewed by Stuart Chittenden on LIVES Radio Show.

Fade Like A Sigh featured on The British Journal of Photography