I don’t know how many videos of Black people being killed by police officers I have watched, but I know the power these images possess. They are injurious, yet informative, shifting how I navigate my own Black body through this world. As I deal in researching and making images, this profound effect born from the visual was curious to me, compelling me to dig past the image’s surface. What I found was an inescapable component of American history pockmarked with the theft of Black life by white hands, and the photographic documentation of that violence.

The oppression of Black individuals in America has continued to evolve, expanding the ways in which racial violence is perpetrated. We must now perceive violence dichotomously between fast and slow [1]. Forms of fast violence are readily understood because there is a perceived risk. Forms of slow violence are less comprehensible because of the wide chasm between cause and effect. Working in the historically Black neighborhood of North Omaha, Nebraska, I evaluate the fallout of government-endorsed prejudicial housing policies—known as “redlining”—that have affected this place and posit them as a form of slow violence.

At No Point In Between prompts inquiry into the antinomy of the recording violence through images: how documentation of racial violence was used to shame Black individuals, but how we have used and continue to use the same images to interrupt the collective belief of a racial hierarchy. I accomplish by invoking the notion of a photographic archive; challenging the photograph's use as an objective document; addressing the convergence of the physical and social landscape; and reinterpreting complex narratives about race, power, and violence.

By creating a collection of images meant to be scrutinized in both their historical and contemporary contexts, I metaphorically connect the body and the landscape, fast and slow violence. In this body of work, witnessing is intertwined with critical analysis, and I work to provide a deeper understanding of systemic white supremacy and the resulting violence therein.

[1] Nixon, Rob. Slow Violence and the Environmentalism of the Poor. Harvard University Press (2011).